Our history

The story behind Essence Theatre Productions

Founded by playwright and theatre‑maker Alaine Beek, Essence has grown through curiosity, risk‑taking and a commitment to telling real stories connected to place, people and lived experience.
What follows is the evolution of a creative practice built over time.


A smiling man and woman posing together in a kitchen, the man is near a stove, and the woman has her hand on his shoulder.

Beginnings: experimenting with form and connection

Essence began in the early 2000s with a desire to bring audiences closer to performance, physically and emotionally.

One of the earliest ventures was The Gourmet Concert, created by Alaine and her husband Bart under the banner of Essence Food Studio. These weekly events combined, live music performed by Alaine’s band, Lighthouse, cooking, conversation and live performance, with actors performing excerpts of theatre — sometimes standing on coffee tables — between courses.

The concept was simple and bold: remove the distance between performer and audience and make theatre part of everyday life. The format ran for a decade and laid the groundwork for what would become a defining feature of Essence’s work — intimacy, immediacy and connection.


A turning point: What Was That and immersive theatre

In 2003, Alaine wrote and produced What Was That for Werribee Park Mansion. Originally conceived as a short trial run, the work was so enthusiastically embraced by audiences that it continued and has since become one of Essence’s most enduring productions.

Performed at night inside the mansion, the play combined history, humour and theatrical surprise, with audiences moving from room to room as the story unfolded around them. What began as an experiment grew into a long‑running immersive experience and established Essence’s distinctive approach to site‑specific storytelling.


Expanding the body of work

Following the success of What Was That Alaine and her collaborators focused on developing new original works across a range of formats and venues.

Over time, Essence has created a growing body of plays — some award‑winning, many toured — including works such as Down to Earth, A Good Coffee, Point of No Return, Jack and Millie, The Dress and most recently their new tour-ready production, The Yellow Line. Each project has been driven by writing first, shaped through collaboration, and grounded in research and lived experience.

While the scale and style of the productions have varied, the intent has remained consistent: to tell human stories with honesty, warmth and care.

Four young men dressed in 18th-century style clothing, standing against a black background. They have serious expressions, with one in the front crossing his arms, and the others into profile or gazing into distance.
A woman smiling and a man frowning, both wearing Christmas-themed attire, with the woman wearing reindeer antlers and the man wearing a Santa hat, standing in front of a blurred Christmas tree.
A group of six people with various facial expressions and postures against a pink and purple gradient background. The man at the top is making a gesture with his hands, the woman in the middle appears serious, and the others display surprised, curious, or thoughtful expressions.

Artistry shaped over time

From early experiments in kitchens and living rooms, to immersive theatre in heritage spaces, to contemporary works staged in theatres and cultural venues, Essence has evolved organically, shaped by place, people and the stories that needed to be told.

At every stage, the work has been led by writing: stories authored by Alaine Beek and developed through collaboration with artists, cultural leaders and communities.

This history is not static. It is the foundation on which new work continues to be created.

A group of people standing on a stage in front of an audience in an auditorium, some holding papers, with lighting equipment hanging from the ceiling.

Young people and the community

A young man holding a notebook, raising one hand, with a colorful, stylized silhouette of a person speaking into a microphone and the words "Say It Out Loud" below.

In 2014, Alaine began working with young people through a drama program at Werribee Secondary College. This experience revealed a deep passion for youth engagement and led to the development of Say It Out Loud, a drama initiative that builds creative courage and resilience through the performing arts.

The program ran for several years and resulted in original devised work, including Testing Nothing and Vivaldi’s Park, created from the participants’ own stories. This period reinforced Essence’s belief in theatre as a tool for building confidence, fostering connection, and fostering personal growth.